Updated On: 27 November, 2024 07:22 AM IST | Mumbai | Mayank Shekhar
What can one say about Payal Kapadia’s Cannes-winning debut feature, except that you probably haven’t seen it yet, because top awards often alienate regular audiences?

A still from All We Imagine As Light
Ever since Payal Kapadia’s film All We Imagine As Light entered public chatter, I’ve been referring to it by its abbreviation, AWIAL; inevitably unable to recall the long title, that’s a poetic verse.
The film is wholly poetry in motion, mostly shot in static frames, playing with light, sounds, and time—speeding it up, and then slowing it down, between two completely divergent parts.