Bhumi Pednekar criticised today’s film criticism culture, saying everyone has become a critic without deep cinematic understanding. She lamented the obsession with opening numbers, harsh social media discourse, and PR-driven narratives, adding that smaller, word-of-mouth films are losing the opportunity to grow

Throughout Strangers Chapter 3, Madelaine Petsch is given little to work with beyond physical endurance, having zero interiority - no dialogues and a fixed, vacant stare